DENISON'S ACTING PLAYS 

Partial List of Successful and Popular Plays. Large Catalosue Free. 
PrEce 15c eacli. Postpaid, Unless Different Price Is Given 



DRAMAS, COMEDIES, 
ENTERTAINMENTS, Etc. 

M. F. 

Aaron Boggs, Freshman, 3 

acts, 2^ hrs (25c) 8 8 

Abbu San of Old Japan, 2 acts, 

2 hrs. ,- (25c) 15 

After the Game, 2 acts, 1 % 

hrs: (25c) 1 9 

All a Mistake, 3 acts, 2 hrs. . 

(25c) ... 4 4 

All on Account of Polly, 3 acts, 

214 hrs. (25c) 610 

American Hustler, 4 acts, 2^ 

hrs (25c) 7 4 

As a Woman Thinketh, 3 acts, 

2^/2 hrs (25c) 9:. 7 

At the End of the Rainbow, 3 

acts, 2^ hrs (25c) 6 14 

Bank Cashier, 4 acts, 2 hrs. 

(25c) 8 4 

Black Heifer, 3 acts, 2 h. (25c) 9" 3 
Boy Scout Hero, 2 acts, 1^ hrs. 

(25c) 17 

Brookdale Farm, 4 acts, 2]4 

•hrs. (25c) 7 3 

Brother Josiah, 3 acts, 2 hrs. 

(25c) 7 4 

Burns Rebellion, 1 hr (25c) 8 5 

Busy Liar, 3 atts, 2>4 h. (25c) 7 4 
Civil Service, 3 acts, 214 -hrs. 

(25c) ....;.......; 6 5 

College .Town, 3 acts, 2% 

hrs. ..,(25c) 9 8 

Danger Signal, 2 acts, 2 hrs.. 7 4 
Daughter of the Desert, 4 

acts, 2^ hrs (25c) 6 4 

Deacon Dubbs, 3 acts, 2^4 hrs. 

(25c) . 5., 5 

Deacon Entangled, 3 acts, 2 hrs. 

(25c) 6 4' 

Down in Dixie, 4 acts, 2^ 

hrs. (25c) 8 4 

Dream That Came True, 3 

acts, 214 hrs (25c) 6 13 

Editor-in-Chief, 1 hr....(25c) 10 
Enchanted Wood, 1^ h.(35c).Optnl. 
Everyyouth, 3 acts, l^^ h. (25c) 7 6 
Face at the Window, 3 acts, 2 

hrs (25c) 4 4 

Fun on the Podunk Limited, 

11/2 lii-s (25c) 9 14 

Heiress of Hoetown, 3 acts, 2 

hrs. .. ......: ..(25c) 8 4 

Her Honor, the Mayor, 3 acts, 

2 hrs. , (25c) 3 5 

High School Freshman, 3 acts, 

2 hrs (25c) 12 

Honor of a Cowboy, 4 acts, lYz 

hrs (25c) 13 4 

Indian Days, 1 hr. . (5Gc) 5 2 



M. F. 

In Plum Valley, 4 acts, 2^ 

hrs (25c) 6 4 

Iron Hand, 4 acts, 2 hrs. . (25c) 5 4 
Jayville Junction, l^^ hrs. (25c) 14 17 
Kicked Out of College, 3 acts, 

214 hrs (25c) 10 9 

Kingdom of Heart's Content, 3 

acts, 214 hrs.. (25c) 6 12 

Laughing Cure, 2 acts, 1^ hrs. 

(25c) 4 5 

Lexington, 4 acts, 2^ h..(25e) 9 4 
Little Buckshot, 3 acts,' 2J4 hrs. 

(..5c) • 7 4 

Lodge, of Kye Tyes, 1 hr.(25c)13 
Man from Borneo, 3 acts, 2 

hrs. (25c) 5 2 

MirandyV Minstrels (25c) OptnL 

Mrs,- Tubbs of Shantytown, 3' 

acts, 214 hrs:. (25c) 4 7 

New Woman, 3 acts, 1 hr.... 3 6 
Old Maid's Club, 1^ hrs. (25c) 2 16 
Old Oakfen Bucket, 4 acts, 2 

hrs. (25c) 8 6 

Old School at Hick'ry Holler, 

lli hrs. ........... (25c) 12 9 

On the Little Big Horn, 4 acts, 

21^ hrs .(25c) 10 4 

Out in the Streets, 3 acts, 1 hr. 6 4 
Parlor Matches, 2 acts, V/z hrs. 

(25c), ....4 5 

Poor Married Man, 3 acts, 2 

hrs (2Sc) 4 4 

Prairie Rose, 4 acts, 2^^ h.(25c) 7 4 

Rummage Sale, 50 min 4 10 

Rustic Romeo, 2 acts, 2% 

hrs. (25c)1012 

Savageland, 2 acts, 2^/^ hrs. (50c) 5 5 
School Ma'am, 4 acts, 1^ hrs. 6 5 
Scrap of Paper, 3 acts, 2 hrs.. 6^ 6 
Sewing for the Heathen, 40 min. 9 
Southern Cinderella, 3 acts, 2 

hrs .(25c) 7 

Star Bright, 3 acts, 2>^ li. (25c) 6 5 
Teacher, Kin I Go Home? 2 

scenes, 35 min 7 3 

Those Dreadful Twins, 3 acts, 

2 hrs (25c) 6, 4 

Thread of Destiny, 3 acts, 2^^ 

hrs. (25c) 9 16 

Tony, the Convict, 5 acts, 2^ 

hrs (25c) 7 4 

Town Marshal, 4 acts, 2^ 

hrs (25c) 6 3 

Trial of Hearts, 4 acts, 2^4 hrs. 

(25c) 6 18 

Trip to Storvland, I'A hrs.(25c) 17 23 
Uncle Josh, 4 acts, 254 hrs. (25c) 8 3 
Under Blue Skies, 4 acts, 2 

hrs (25c) 7 10 

Under the Laurels, 5 acts, 2 hrs. 6 4 
When the Circus Came to 

Town, 3 acts, 2^ hrs. (25c) 5 3 



T.S.DENISON & COMPANY,Publishers,154W.RandolphSt., Chicago 



A WATCH, A WALLET 
AND A JACK OF SPADES 

A COMEDY IN ONE ACT 

FOR THREE MEN AND SIX WOMEN 



BY 

LINDSEY BARBEE 

AUTHOR OF 

'After the Game" ''At the End of the Rainbow^ '/The Call of 

IVohelo," "The Dream That Came True," ''The Fifteenth of 

January" "Then Greek Met Greek" "Her First Scoop" "The ^ 

Kingdom of Heart's Content" "The Promise of Tomor- 

rozu" "Sing a Song of Seniors" "The Spell of the 

Image" "The Thread of Destiny" "Tomorrow 

at Ten" "A Trial of Hearts," "When the 

Clock Strikes Twelve," "The Whole 

Truth," "In the College Days," "Let's 

Pretend — A Book of Children's 

Plays," Etc. 




CHICAGO 

T. S. DENISON & COMPANY 

Publishers 



A WATCH, A WALLET AND A 
JACK OF SPADES 



CHARACTERS. 



^^%«,\n 



Mrs. Ridgway A Widow 

Anne Ridgway A .Playwright 

Jane Ridgway , . Her Sister 

Celeste A Maid 

Bridget A Laundress 

Melinda A Cook 

LOCKHER ShOLMES 

Baffles [ ' Detectives 

Keg Crennedy. . . 



Place — Living Room of the Ridgway Llome. 



Time — The Present. 



Time of Playing — About Forty Minutes. 



COPYRIGHT. 1917, BY EBEIN H. NORRIS. 

©Cl.D 47788 
2 

SEP 12 1317 

0^6 I ^ 




A WATCH, WALLET AND JACK OF SPADES 



STORY OF THE PLAY. 

Anne Ridgway, a playwright, summons three detectives — 
Shohnes, Baffles and Crennedy — to unravel a mystery sur- 
rounding the disappearance of a lodger in her home. Nu- 
merous clues are discovei-;ed ; many complications arise ; 
each detective advances his own theory, and a dramatic 
crisis is the result. At this point i\Iiss Ridgway confesses 
that the lodger is her own creation ; that he has existed only 
in her imagination, and that she has invented this particular 
situation in order to obtain a plot or basis for a mystery 
play which she has been asked to write. She laughingly 
invites the detectives to a consolatory dinner ; they forget 
their resentment and the experiment ends happily. 



CHARACTERS AND COSTUMES. 

Mrs. Ridgway, Anne and Jane wear pretty dinner 
gowns. Mrs. Ridgway is nervous and hysterical. Anne 
is dignified, self-poised and gracious. Jane is assertive and 
independent. 

Celeste — Pert and Frenchy. Wears conventional maid's 
costume of- black, with sheer white apron, collar, cufTs and 
cap. 

Bridget — Free and easy. Wears gingham dress and 
apron. 

Melinda — Sulky. Wears gingham dress and apron wnth 
red bandanna around her head. 

Sholmes and Crennedy wear plain business suits. Baf- 
fles is in full evening attire. Sholmes is quiet and impres- 
sive in manner and a trifle dictatorial. Baffles is smooth 
and gallant. Crennedy is matter-of-fact and straight to 
the point. 



A WATCH, WALLET AND JACK OF SPADES 



PROPERTIES. 

Rugs ; large portrait ; portieres ; window curtains. Large 
davenport; desk and desk chair; two large chairs; table 
with lamp, flowers, books, etc. Bell button. Watch, glove 
and wallet for table drawer. Jack of Spades for wallet. 
Mechanical instrument with mirror and mechanical instru- 
ment with long cord for Crennedy. Small package with 
scarab for Celeste. Card for Baffles. Handkerchief and 
half scarab for Sholmes. 



SCENE PLOT. 




H Hall 



& 




Window Doorway 

Tal 
Davenport ^^^j, 

Door 

Desk Door 

O Desk Chair ChalrO'Y 

STAGE DIRECTIONS. 



R. means right of the stage; C, center; R. C, right cen- 
ter; L., left; U.E., upper entrance; D.F., door in flat or 
scene running across the back of the stage ; up stage, away 
from footlights ; down stage, near footlights, etc. The actor 
is supposed to be facing the audience. 



A WATCH, A WALLET AND A JACK OF SPADES 



Scene: Living room in the Ridgway home. Large hall 
door zi'itli portieres L. of C. in F., revealing wainseot drop. 
Curtained zuindow R. of C. in F . Practical doors dozun R. 
and at L. 2 E. Davenport at R. U . E. Desk and desk 
chair at R. 2 E. Portrait above desk. Large chair L. 2 E. 
Table zvith lamp, books, flozvers, etc., at L. U. E. Large 
chair R. of table. Articles for table drazver. Bell button 
L. of door to hall. Pictures, rugs, etc. 

At rise, stage is zvell illuminated. Discovered, Mrs. Ridg- 
WAY, seated at L. 2 E.; Jane in desk chair; Anne, stand- 
ing by desk and Bridget and Melinda at C. 

Anne. Now, Melinda, are you sure that you understand? 

Melinda. Lan' sakes. Miss Anne, ah ain't sure of nuffin', 
but ah reckon ahVe got gumption enough to do what you've 
done tole me. 

Anne. How about you^ Bridget? 

Bridget. Faith, and I'm not sayin' what I think. 

Anne. I'm not asking you what you think. 

Bridget. But I'm a-thinkin' of what ye ask — and, be- 
gorry, Miss Anne, it's the first time ye've iver been a-telhn' 
of me to He. 

Anne. But I explained — zvhy. 

Bridget. Sure, and I'm intendin' to do it for ye. 
{Crosses herself.) Howly Saint Pathrick, save me soul! 

Anne. Then — that will do. (Bridget and ^Melinda 
start tozvard R.) And remember my instructions. (Exeunt 
Bridget and Melinda at R.) 

Mrs. Ridgway {zimnging hands). Oh, this is terrible, 
terrible ! I never thought that such a disgrace would come 
upon me! {Pleadingly.) Don't go any further, Anne — 

Anne. I've gone too far to back out, mother dear. 

5 



6 A WATCH, WALLET AND JACK OF SPADES 

Jane. And even the prospect of a sojourn in the city 
jail seems alluring, when compared with the monotony of 
our present existence. 

Mrs. Ridgway. Jane! Don't! I can't bear it. Never 
before has the Ridgway name been associated with — 
{hesitates) 

Jane. Crime ! Say it out — and get accustomed to it. 
From this time on it will be the most prominent word in 
our vocabulary. 

Anne {crossing to Mrs. Ridgway and placing arm about 
her shoulder). Now — now — mother, don't mind Jane and 
don't worry. It will come out just as I've planned — and — 

Enter Celeste at hall door. 

Celeste. Ze trois messieurs — zey are vaiting. 

Anne. Then show them in. Celeste. {Exit Celeste.) 
Now let me do all the talking — you understand ? 

Jane. Perfectly. And it's your affair, my dear sister, 
your affair. 

Anne crosses to L. of hall door as Celeste appears, fol- 
lowed by Sholmes, Baffles and Crennedy, who stand 
behind her. 

Celeste. M'sieur Sholmes! {Enter Sholmes.) 

Anne {extending hand). Mr. Sholmes, I am Miss Ridg- 
way. 

Celeste. M'sieur Baffles! {Enter Baffles). 

Anne {extending hand). Mr. Baffles. 

Celeste. M'sieur Crennedy! {Enter Crennedy. Exit 
Celeste.) 

Anne {extending hand). Mr. Crennedy. {Motions to 
Mrs. Ridgway and Jane, who acknowledge the introduc- 
tion.) My mother and sister, gentlemen. {Points to daven- 
port.) Won't you be seated? {The three men sit on daven- 
port and Anne seats herself R. of table.) You are doubt- 
less wondering what has occasioned this imperative sum- 
mons. 

Sholmes. In our profession, Miss Ridgway, we cease 
to wonder. 



A WATCH, WALLET AND JACK OI' SPADKS 7 

Crennedv. And we regard an in][)cralivc' suniinons as 
our own particular inheritancr'. 

Baffles. Especially wlu^n the summons is from a la(l\- ' 

Anne (graciously). How very obligin<j you are 1 It 
makes it three times as easy to tell my story. 

Crennedy. And three times easier to solve the ni\stery, 
I hope. 

Anne {szvcctly). Are all great men as friendly and as 
generous as you three? Someway, I imagined that every 
genius is a Httle bit jealous of every other genius. 

S HOLMES. Perhaps w^e three are the exception. 

Anne {leaning forzvard). And you don't mind combin- 
ing forces on a case? 

Baffles. Depends on the case. 

Anne. Then Td better be stating my own so that you 
may pass judgment. (Pauses.) Three months ago, gentle- 
men, my mother, my sister and myself, who, wdth two 
maids are quite alone in this large house, decided to rent 
one of the rooms on the second floor — in fact, the one 
above us. A quiet, middle-aged man, by name, Amos Rol- 
lins, fell to our lot, and a model lodger he proved to be. 
Three days .ago he mysteriously disappeared. 

Sholmes. Mysteriously ? 

Anne. Mysteriously. For he gave us no intimation of 
his departure. 

Crennedy. There has been no word of him? 

Anne (after a moment). Yes, there has been word. 
(Opens table drawer.) Yesterday morning — tJiis — (taking 
watch from drawer) came to us by mail. I presume I 
might label it Exhibit A. 

(The three men rise hastily and cross to her^ standing in 
half circle, Baffles in advance. He stands back of cJiair 
with Sholmes at his right and Crennedy at Sholmes" 
right, and takes watch from her.) 

Baffles (examining it). An old-fashioned watch, with 
A. R. on the case. 

Anne. His watch. I have often seen it. Again, this 



8 A WATCH, WALLET AND JACK OF SPADES 

morning, in the same way, we received his wallet and a 
single glove. {Takes articles from drawer,) 

(Baffles passes the watch to Sholmes, who also takes 
the glove from Anne, while Crennedy examines the wal- 
let,) 

Sholmes {as he and Baffles hend over the glove), Mr. 
Rollins must be a tall, soldierly man with the third finger 
of his left hand gone. 

Anne {in astonishment). Why— why — yes. But how 
could yon know? 

Sholmes. The watch bears the unmistakable dent of a 
bullet; the glove is the size which belongs to a man of 
height, and the third finger is smooth and uncreased — quite 
a contrast to the others. 

Anne. Wonderful ! 

Crennedy {who has been looking at the wallet through 
the mirror of a mechanical instrument which he has taken 
from his pocket). There is a small blood stain on the wal- 
let — quite inconspicuous to the inexperienced eye. 

Baffles. How do you know it's a blood stain, my dear 
fellow? 

Crennedy. This is a little instrument which registers 
net only the particular kind of stain but pictures the weapon 
with which it is made. This spot is the direct result of 
a stab with a hat-pin. {Passes it to Sholmes, zvho in turn 
gives him watch and glove.) 

Sholmes {rtmning his finger over the wallet). Ah! 
This portion of the leather is a trifle more worn than the 
rest — that must mean something. {With evident pride as 
he discovers the inner pocket.) A cleverly placed secret 
pocket! {Draws out Jack of Spades.) And this! 

Anne {rising). What — what does it mean? 

Sholmes. Probably a threat. You say that these ar- 
ticles came to you by post? 

Anne. Yes — without a word of explanation. 

(Crennedy lays glove on table and, nnperceived, slips 
watch into pocket.) 



A WATCH, WALLET AND JACK OF Si\\DES 9 

Sholmes. Then where is the paper whieli eame around 
them ? 

Anne. I destroyed it. 

SiiOLMES {excitedly). Destroyed it? ]\Iy dear madam, 
it would probably have given us a elue. It would — 

Baffles (calmly fakes wallet from Siiolmes and re- 
turning it to table, at the same time, unperceived, slipping 
Jack of Spades into his oztni pocket). Remember, Sholmes, 
that jNIiss Ridgway has not yet finished her story. (To 
Anne.) Won't you go on? 

Anne (reseating herself as men return to davenport). 
There is so little to tell. ]\Ir. Rollins usually left the house 
about ten in the morning and returned shortly after our 
evening meal. If he had business, we never knew of it; 
if he had friends, they never came to his room. He re- 
ceived no mail ; he shunned companionship ; he was inva- 
riably distant in his manner, and our acquaintance with 
him was only of a business nature. 

Crennedy. Will you describe him to us? 

Anne. Mr. Sholmes has already done that in a surpris- 
ingly accurate way. Tall, soldierly, with the third finger 
of his left hand gone. His clothes were expensive, though 
old-fashioned in cut ; his tastes were invariably quiet — • 
(Iiesitates) save in one respect. 

Baffles (leaning forward). And that? 

Anne. He w^ore — conspicuously — on his vest a large 
Egyptian scarab. He was never without it. 

Sholmes. When was he last seen? 

Anne. Presumably — Monday morning. Our laundress 
met him as she came to work. 

Sholmes. And he did not come again to the house? 

Anne. So far as we know he did not. We were out in 
the evening and returned late. Next morning there came 
a telephone message for him — something which had never 
before happened — and I sent Celeste, my maid, to call him. 
(Pattses.) 

Baffles (eagerly). Well? 

Anne. He was not there — and the bed had not been 



10 A WATCH, WALLET AND JACK OF SPADES 

occupied. We were naturally puzzled, but did not think 
seriously of his disappearance until the first anonymous 
package came. 

Crennedy. And just what significance have you attached 
to the anonymous packages? 

Anne. They are either a signal for help or a ghastly 
method of announcing his death. 

Celeste enters from hall. 

Anne. What is it, Celeste? 

Celeste (holding out small package). A package, 
mademoiselle, lef on ze doorstep. 

Anne (taking it). You will pardon me, gentlemen, if I 
open it. It may bear upon the case. (Celeste t^irns to 
leave.) 

Sholmes (rising). Celeste! (She turns.) 

Celeste. M'sieur? 

Sholmes (crossing to R. of hall door). You were the 
first to discover that Mr. Rollins was not in his room Mon- 
day morning? 

Celeste. Oui, m'sieur. 

Sholmes. Did you notice anything strange in the ap- 
pearance of the room? 

Anne (quickly turning). Celeste is not in the habit 
of straightening the room. She would notice no disarrange- 
ment. 

Sholmes. I see. (Pauses.) You have seen Mr. Rollins, 
of course? 

Celeste. Oui, m'sieur. In ze morning when I dust ze 
hall he come down ze stairway. 

Sholmes. Pretty tall, isn't he? 

Celeste (hesitating and glancing at Anne, zvho nods 
almost imperceptibly). Oui, m'sieur. Vairy tall. 

Sholmes. Friendly ? 

Celeste. Oui, m'sieur — vairy friendly. He joke — he 
laugh — he smile. 

Sholmes. That will do, Celeste. (Exit Celeste at 
hall.) You spoke of Mr. Rollins as invariably distant in his 



A WATCPI, WALLET AXI) JACK OI- SPADl-S 11 

manner, did you not, Miss IvidiL^way? {Slaiuls a! Av.\i-:'s 
right.) 

Anne. I did, Mr. Sholmes. {Uiidcs packaijc.) 

Sholmes. Evidently with servants he chouses 1(3 assunu' 
another pose. 

Anne (coldly). As to that, of course, I cannot say. 
(Tears off paper and looks hi package.) The scarab! 
(Holds up scarab. Baffles and Crennedy rise hastily and 
stand back of Anne.) 

Mrs. Ridgway (rising). The scarab! (At a 7^'aniing 
look from Anne she sinks into chair again.) 

Anne (examining it closely). Part of the scarab — for 
it has been broken squarely in two. Gentlemen, I feel as 
if we now hold the key to the mystery. 

Baffles. A^ou mean — 

Anne (rising). That when we find the other half of 
the scarab our task is ended. (Amotions to door.) Doubt- 
less you wish to examine the room above? 

Crennedy (crossing to C). Just a moment! May I 
question your laundress who — I believe — was the last one 
of your household to see Mr. Rollins? 

Anne. Certainly. Will you ring, Mr. Baffles? 
Baffles pushes bell button and Celeste enters from hall. 

Anne. Celeste, ask Bridget to come here. (Exit Ce- 
leste at R.) I asked her to be present tonight, thinking 
you might wish to question her. 

Crennedy. If I remember correctly, you mentioned two 
maids. 

Anne. Yes. 

Crennedy. Does this include the laundress? 

Anne. No. Bridget comes only two days in each week. 
I referred to the cook, Melinda, and my own maid, Celeste. 

Enter Bridget at R. 

Anne. Bridget, this gentleman (motioning to Cren- 
nedy) wishes to ask you some questions. Answer care- 
fully and correctly. 

Bridget (standing by door at R.). Yes, Miss Anne. 
(To Crennedy). And what would ye be a-knowin'? 



12 A WATCH, WALLET AND JACK OF SPADES 

Crennedy (at Bridget's left). Miss Ridgway tells me 
that you saw Mr. Rollins on Monday morning. 

Bridget (defiantly). And what of it? 

Crennedy. Nothing — perhaps. What time do you usu- 
ally reach the house ? 

Bridget. Eight o'clock. 

Crennedy. And Mr. Rollins was leaving just as you 
arrived ? 

Bridget. Faith and is there anything strange about that ? 

Crennedy. Only the fact that Mr. Rollins always left 
the house at ten o'clock. 

Anne. Generally— not always, Mr. Crennedy. 

Crennedy. He spoke pleasantly, of course. 

Bridget. Spoke pleasantly? Loike a tombstone, he did. 

Crennedy. But he was in the habit of joking with 
Celeste. 

Bridget. Sure and it's different with Miss Celeste. 

Crennedy (quickly). Miss Celeste? 

Bridget. Faith and was I a-callin' that stuck-up little 
whippersnapper. Miss? 

Anne (reprovingly), Bridget! 

Bridget. And she's a-makin' eyes at ivery man that 
passes ! Sure and if that Rollins person had been a-takin' 
liberties with me, I'd a-picked him up and stuffed him in 
my pocket. 

Crennedy. Is he as small as all that? 

Bridget. Begorry and there ain't nothin' much smaller. 

Anne (warningly). Bridget! 

Crennedy. And is his disfigurement very noticeable? 

Bridget. Faith and I'm wonderin' what ye mean by 
disfigurement. 

Crennedy. Is the whole member gone or is it partly 
mutilated ? 

(Bridget glances in bewilderment at Anne, who covertly 
makes a motion as if cutting off finger.) 

Bridget (misunderstanding Anne"^ motion). Sure and 
it's the whole hand that's missin' if that's what ye're askin'. 



A WATCH, WALLET A\D JACK Ol' SLADICS L5 

Crennedv. That will do, Bridget. ( /:.r/7 l>Rii)(;i:T nl l\ .) 
Mr. Rollins' appearance seems to ])e a ])it deceptive. 

Anne. The word of a servant against mine, Air. Cren- 
nedy. {Haughtily.) Shall we go upstairs? 

{Exeunt Anne, Sholmes and Baffles at hall door. 
Crennedy folloK^s slowly and stands outside, visible to 
audience hut unseen by Jane a}id Mrs. Ividc.wan'. As sooji 
as they are alone, Jane and Mrs. Ridgway visibly relax.) 

Mrs. Ridgway. I just can't go on with it, Jane — I ju-t 
can't. 

Jane (rising). How can you help yourself, mother? 
I'm enjoying myself immensely — and if Anne would only 
let ine talk — 

Mrs. Ridgway {weeping). Talk! There's too much talk- 
ing as it is. What we have needed from the first is silence. 

Anne {calling from off stage). Jane! 

Jane. I'm coming. {Pats Mrs. Ridgway on shoulder.) 
Sit still, mother — be calm — hold your peace — and let us 
turn the trick. {Exit at IialL Crennedy hiding behind por- 
tiere as she passes.) 

Enter Crennedy. 

Crennedy. Mrs. Ridgway! {She looks around ner- 
vously.) I beg your pardon for startling you, but there 
are a few questions I wish to ask you in the absence of 
the others. 

Mrs. Ridgway {nervously). But I don't care to answer 
questions. My daughters can supply you with any needed 
information. 

Crennedy {sternly). It is not wise to oppose the law, 
Mrs. Ridgway. 

Mrs. Ridgw^ay. I'm not opposing the law — I'm keeping 
out of it. 

Crennedy. Then I'm obliged to try a little experiment. 
{Takes mechanical instrument zvith long cord from pocket.) 
Will you hold this for a moment? {Offers cord.) 

Mrs. Ridgway {shrinking). Oh, no — no! 

Crennedy. 'Tis quite harmless and gives no electrical 
shock. {She refuses.) I insist, ]\Irs. Ridgway. {She takes 



14 A WATCH, WALLET AND JACK OF SPADES 

the end of the cord reluctantly.) Now, you will look stead- 
ily at me as I repeat a few words — as follows — {speaks 
slowly and impressively) Rollins! Watch! Picture! {Takes 
cord from her,) That will do — and, thank you. {Exam- 
ines instrument carefully.) 

Mrs. Ridgway {rising). What is the meaning of all 
this? 

Crennedy. Just an experiment. I have here a little in- 
strument whose purpose it is to record emotions , which are 
inspired by the mention of certain words. Fear is regis- 
tered in one way ; grief in another, and guilt in still another. 
{Looks more closely at instrument.) I find that at the 
sound of the three words — Rollins, watch and picture — 
there was great mental disturbance, with the element of 
fear predominant. 

Mrs. Ridgway {crossing to R.). What nonsense! I never 
spoke to the man. 

Crennedy {nodding toward portrait). Your portrait, I 
suppose ? 

Mrs. Ridgway. Yes. What has that to do with the 
matter in hand? 

Crennedy. Everything. For if you never spoke to Mr. 
Rollins and had no interest in him, it is exceedingly strange 
that an exact copy of this portrait — which you say is of 
you — should be placed in the back of the watch. {Takes 
watch from pocket.) Here — see for yourself. {Holds out 
zvatch.) 

Mrs. Ridgway {distractedly), I don't understand. 

Crennedy. Nor do I. 

Mrs. Ridgway. And I can make no explanation. 

Crennedy. Suppose you try. {Voices off stage are 
heard.) Someone is coming. {Glances around.) In here! 
{Points to L. 2 E. Hurries her, reluctant, to L. 2 £. 
Exeunt.) 

Enter Jane and Baffles from hall. 

Jane {looking around). There is no one here. Perhaps 
you will explain now why you wish to see me alone. 
{Crosses to C.) 



A WATCH, WALLl'/r AM) ].\CK 01- SI'A1)I-:S IS 

Baffles {slaiid'nuj hack of her). ^li^s [\i(l^\\a\-, \vli\' 
did you give Air. Rollins the Jack of Si)adcs? 

Jane {carelessly). Are you quite crazy, 'Mr. liafllcs? 

Baffles. Only inquisitive. Unfortunately, it's a char- 
acteristic of my profession. 

Jane. Is rudeness also a characteristic? 

Baffles. When it becomes necessary to use it. (Pauses.) 
I repeat — whv did you give ]\Ir. Rollins the Jack of Spades? 

Jane. And I reply — that if you were not in the employ- 
ment of my sister, I should ask you to leave the house. 

Baffles. My question does not necessarily infer that 
you are involved in the particular mystery which we are 
attempting to unravel. It is given in the hope that you may 
furnish us a clue. 

Jane (Hcrning), My curiosity gets the better of me. 
Why do you single me out as the one associated with the 
fatal card? 

Baffles. Because — in a search of your room — a pack 
of cards was discovered — with the Jack of Spades missing. 

Jane (shrtigging shoulders). Poor evidence, Fm think- 
ing. 

Baffles. Not when the fatal card, as you call it, matches 
those in your particular pack. (Takes Jack of Spades from 
pocket, also another card.) Compare them yourself. 
(Pauses.) Well? 

Jane (sarcastically). Well — what? 

Baffles. Tm waiting for your explanation. 

Jane (suddenly). Very well — hear it. That Jack of 
Spades -was taken from my pack of cards. I admit it. But 
it was taken by Mr. Rollins himself. 

Baffles (in surprise), Mr. Rollins! 

Jane. Yes, Mr. Rollins. I was playing solitaire last 
Saturday, and as I went upstairs I threw my pack of cards 
carelessly on the hall table. As I reached the top of the 
stairs the door opened and Mr. Rollins entered. He spied 
the cards, hesitated, quickly extracted one, placed it in his 
pocket and went to his room. He did not see me and I did 
not mention the matter to my sister. 



16 A WATCH, WALLET AND JACK OF SPADES 

Baffles. Why not? * 

Jane. Because I did not think it necessary. 

Baffles. And even when the card was found in the 
wallet you were silent? 

Jane. Naturally I did not care for suspicion to fall 
upon me. 

Baffles (after a moment). Your story does not ring 
true, Miss Ridgway. 

Jane (ironically) . Oh, doesn't it? What do you intend 
to do about it? 

Enter Sholmes hurriedly from hall. 

Sholmes. Who is in the habit of attending to Mr. Rol- 
lins' room? (Crosses to Jane's right.) 

Jane. Why — Melinda, the cook. 

Sholmes. Will you call her? (Jane, followed by Baf- 
fles^ crosses to bell and touches it.) 

Enter Celeste from hall. 

Jane. Celeste, ask Melinda to step here. (Exit Celeste 
at R.) Have you found a clue, Mr. Sholmes? 

Sholmes (holding out handkerchief). A lady's hand- 

Enter Melinda at R. 

Jane. Melinda, the detective has asked to interview you. 

Melinda, Land sakes, chile, ah don't know nuffin' 'bout 
this here murder. 

Sholmes (sharply). What makes you call it murder? 

Melinda (very ill at ease). Ain't it a murder? 

Sholmes (quickly). Do you know that it is? 

Melinda (sulkily). Don't know nujffin'. 

Sholmes. Do you know Mr. Rollins? 

Melinda. Ain't never seed him. 

Sholmes. But I thought you attended to his room. 

Melinda. Ain't 'tending it when he's thar, is ah? 

Sholmes. What inference concerning his personal hab- 
its did you form? 

Melinda (puzzled). Lawsy, Miss Jane, what's he talkin' 
'bout? 



A WATCH, WALLET AM) JACK OI« M'ADl-S 17 

Jane. How did he leave his room? 'I'liat's what he 
means. 

Melinda. Neat as a pin, ]\[assa 'tective ; neat as a ])in. 
Nuffin' ever out of place — nuffin' ever thrown 'round. 

SiiOLMES {zvaving JiandkcrcJiicf) . Do you reco^ni/e tlie 
scent on this handkerchief? 

Melinda {sniffing). Yas suh. Dat are ]\liss Celeste's 
perfumery. 

Jane (warningly). IMelinda ! 

Sholmes. Why do you call her Miss Celeste? 

Melinda (sfill more sulkily). Ah call her dat kase Ah 
want to. It ain't nobody's business what ah call her. 

Sholmes {turning to Jane). Will you ring for Celeste? 

Jane obeys. Enter Celeste from hall. 

Jane. Mr. Sholmes has more questions to ask you, 
Celeste. 

Celeste {crossing to C). Oui, m'sieur. 

Sholmes {holding out handkerchief). Is this your 
handkerchief, Celeste? 

Celeste {shaking head). No, no, m'sieur. 

Sholmes. Is this the perfume you use? 

Celeste. No, no, m'sieur. 

Sliolmes. But IMelinda says it is. 

Celeste {saucily), Zen — IMelinda — she make ze mis- 
take. 

Melinda. Ah ain't said nuffin'. 

Sholmes. You may go, Melinda. (Esit IMelinda at 
R.) Do you see the stain on this handkerchief, Celeste? 
{Holds handkerchief close to her.) 

Celeste {airily), Oui, m'sieur — eet ees red ink, n'est- 
ce-pas ? 

Sholmes {impressively) , It is — blood. {Sternly.) Hold 
up your right hand, Celeste. 

Celeste {sattcily). Pourquoi, m'sieur? 

Sholmes. Because it has a little wound on one finger — • 
caused by the prick of the hat-pin as you hastily jammed 
it through your hat. 

Jane. Nonsense, IMr. Sholmes. In that case the left 



18 A WATCH, WALLET AND JACK OF SPADES 

hand would have been pricked. As a rule, a woman uses 
the right hand to manipulate a hat-pin. 

Sholmes. But Celeste is left-handed. I noticed that — 
when she opened the door to me. Hold up your hand, 
Celeste. (She obeys reluctantly.) Just as I thought. The 
wound is here. (She snatches her hand away.) 

Jane (impatienily). Still, what has all this to do with 
the subject in hand? 

Sholmes. Only this. When she pricked her finger. 
Celeste staunched the blood with this handkerchief — but 
not sufficiently. For as she tore the wallet from Mr. Rol- 
lins' pocket it left a stain. (To Celeste.) Whether you 
originated the plan or were only an accomplice, I haven't 
decided, but the articles were sent by you to Miss Ridgway. 

Crennedy and Mrs, Ridgway appear at L. 2 B. 

Baffles (coming forward as Celeste moves from C. to 
desk chair, where she stands facing audience). Hold on, 
Sholmes, and let me have an inning. Miss Jane Ridgway 
confesses that the Jack of Spades found in the wallet was 
taken from her pack of cards by Rollins himself. How's 
that for a bit of evidence? 

Sholmes (complacently rubbing his hands together). 
Just as I thought. We'll have one discovery dove-tailing 
into another until the picture puzzle is complete. 

Crennedy (coming forward as Mrs. Ridgway sinks in 
chair at L. 2 £.). Don't leave me out, for I've made some- 
thing of a scoop myself. (The three detectives stand to- 
gether at C) 

Jane. Mother! (Rushes to Mrs. Ridgway.) 

Mrs. Ridgway (weeping), I didn't say a word, Jane — 
I didn't say a word. 

Crennedy. Nor did she. It wasn't necessary — for ac- 
tions speak more clearly than words. (To Baffles and 
Sholmes.) In the mysterious gentleman's watch is a pic- 
ture of Mrs. Ridgway herself — a copy of the portrait which 
adorns the wall. (Points to it.) And yet she has had no 
acquaintance with him — no interest in him — in fact, has 
never spoken to him! 



A WATCH, WALLET AXD TACK ()!• SPADLS 19 

Janl IMother! (SUuids Ihick of cluiir.) 

Mrs. Ridgway. I haven't said a word, Jane — I liaN-ciTt 
said a word ! 

Jane. Where is Anne? 

SllOLMES. Hunting for something-, T fancy. 

Jane. Hiintini; for what? 

SiiOLMES. Aiiothef piece of tlie picture puzzle, I shall 
call it. 

Jane (angrily). Please explain yourself. 

Sholmes. Rather let her make the explanation. (Crosses 
to hall door and calls.) Miss Ridgway! Come down — for 
it's no use to look further. I happened upon the ol)ject of 
your search a few minutes ago. (Crosses to davenport.) 

Enter xAnne from hall. 

Anne (looking around). Why, what is the matter? 
(Gazes sternly ar Sholmes.) And will you explain your 
very unintelligible remark, Mr. Sholmes? (Baffles and 
Crennedy join Sholmes at R. U. E.) 

Sholmes. One question at a time. Miss Ridgway — one 
question at a time. You ask the meaning of — all this? 
(Gestures.) Well, we've each found a portion of the pic- 
ture puzzle — that s all. And as to my remark — I think you 
understand without my explanation. 

Anne. Parcl/n me, Mr. Sholmes, if I presume to dis- 
agree. (Sits in chair R, of table. Baffles and Crexxfdy 
sit on davenport.^ 

Sholmes. Then I shall explain. (Crosses to hack of 
her chair.) Do 3 ou remember making a statement sor.ic- 
thing like this: * 'When we find the other half of the scared) 
our task is ended"? 

Anne (coldly). I remember perfectly. 

Sholmes (taking scarab from pocket). \\'ell, here is 
the other half of the scarab. I found it, ]\Iiss Ridgwa} , in 
the secret drawer of your desk. 

Anne (clasping hands). Oh! 

Sholmes. Yon were hunting for it a moment ago, were 
you not? 

Anne (after c pause). I was hunting for it. (Gaccs 



20 A WATCH, WALLET AND JACK OF SPADES 

defiantly at the three men.) Well, what are you going to 
do about it? 

Sholmes (crossing to C). One moment! Let me give 
my solution of the affair before my colleagues have the 
floor. With the aid of Celest^., Miss Ridgway, for reasons 
which I must yet fathom, has in some way effected the 
disappearance — I do not say death — bi Amos Rollins. Fur- 
ther endeavors will bring further disclosures. {Returns to 
davenport and seats himself.) Mr. Baffles! 

Baffles {rising). My solution of the matter Is different. 
Miss Ridgway cleverly contrived this plot as a sudden end- 
ing to the violent attachment which Mr. Rollins entertained 
for her sister. Miss Jane returned his affection and despite 
her sister's opposition determined to leave with him. As 
a pledge of her promise she sent him a Jack of Spades. 

Jane {coyly). How stupid of me! Queen of Hearts 
would have been so much more fitting. 

Sholmes. But the scarab — 

Baffles. Merely a part of the scheme to deport the un- 
welcome suitor and to present the matter to the family as a 
mysterious disappearance. 

Anne {despairingly). Dear me. There seems to be no 
escape for me ! 

Baffles {turning to Crennedy). And now, Crennedy, 
what is your opinion? {Sits.) 

Crennedy {rising). Amos Rollins was really Amos 
Ridgway — the master of the house and the husband of this 
lady. {Points to Mrs. Ridgway.) Where they have sent 
him or what they have done to him or what was their object 
must be ferreted out. 

Jane {in a hurst of laughter). Isn't it delicious? Abso- 
lutely delicious? Oh, Anne, I can't thank you enough for 
this evening of unalloyed pleasure! 

Anne {excitedly). Didn't I tell you it would work? 
And hasn't it been fun? 

Mrs. Ridgway. Speak only for yourselves. I have never 
had a more wretched experience. It was thoughtless of 
you to impose it upon me. {Weeps.) 



A WATCH, WALLET AND JACK Ol- SI\\l)l-;s 2\ 

Sholmes (rising). Pardon nu-, my drar \nunL;- ladies, 
if I remark that this is no laughing- mailer. 

Anne (rising ajid facing the iJivcc). Oh, l)ul il is. 
Listen — all of you! I did do away with ]\lr. Jvolhii^, l)iu I 
created him as well — and there's no such crealure I C)i(hCt 
the inaccuracies of my maids tell you that? (Pauses.) 

Baffles (rising). Aliss Ridgway! 

Anne. I am a dramatist, gentlemen, and I've heen asked 
to write a m\^terv play. I longed for experience — in fact, 
I had to have it — so I planned this little event, much against 
the wishes of my mother. Mr. Rollins w^as created from 
the airy nothings of imagination ; he w^as invested wdth my 
father's watch — which explains the picture and the initials 
— my father's wallet — over which Celeste obligingly pricked 
her finger — the glove of an accommodatmg friend., who, 
bv the wav, has all hi^ fin<rers — and a scarab which h mv 
ow^n property. Our scheme w^as doubtless illogical— in 
many respects crude — but it has given me the basis of a 
ripping drama, anel I am duly grateful to you three gentle- 
men ! (Bows.) 

Sholmls (angrily). Do you mean to say that you have 
summoned us three busy men on a ridiculous, fooii^ii and 
fruitless pretext? 

Anne (pointing to desk). It need not be a fruitless 
evening, gentlemen, for my check book is at hand and it 
is my pleasure to compensate you for the time and energy 
spent in my behalf. 

Celeste (demurely). May I be introduced? 

Anne. My sister, gentlemen, my youngest sister. (Ce- 
leste curtseys.) AAHiich explains the puzzling Miss which 
the maids let fall so often. 

Baffles. This is rather a blow^ to our reputations I'ui 
thinking. 

Anne. Hardly. Rather let us call it a positive triumph. 
(Takes Sholmes' arm.) Come, Mr. Sholmes. (Beckons 
Jane, who crosses and takes Baffles' arm.) Come. ]\Ir. 
Baffles! (Beckons Mrs. Rjdcww, wJio croS'^'.\'^ reluctantly 
and takes Crennedy's arm.) Come, ]\Ir. Crennedy ! Please 



22 A WATCH, WALLET AND JACK OF SPADES 

forgive me and help us partake of the feast which Melinda 
has prepared as a penance for her lack of veracity. Shall 
we all drink a health to Amos Rollins? 

Sholmes. And also to a Watch, a Wallet and a Jack 
of Spades? 

(As Celf.ste holds open the door at R., they all pass 
slowly out, with Anne and Sholmes in the lead,) 

Curtain. 



Then Greek Met Greek 

By LINDSEY BARBEE 

Price, 25 Cents 

Comedy in one act; 12 females. (In the original prochution. all 
parts were taken by women. However, the chciracters (jf I'o.seidon, 
Hermes and Apollo may be assumed by men and those of Kros 
and Hebe by children or by those of small stature.) Time, 1 Ik ur. 
Scene: Hera's living- room in the Olympus apartment house. Ch .r- 
acters: Hera, possessor of a shield. Hestia, of conservative ten- 
dencies. Demeter, adorned witli poppies. Athene, holding the key 
to a higher life. Poseidon, wielding a trident. Hermes, a messen- 
ger boy. Barbara, a mortal. Apollo, a ladic^s' man. Artemis, god- 
dess of the Crescent Moon. Aphrodite, with an anchor. Eros, 
armed with an arrow. Hebe, youngest of Olympians. Plot: A 
parody upon the "rushing- season" of college sororities and at the 
same time a plea for a better Panhellenic spirit. The symbols of 
well known Greek letter societies distinguish the various charac- 
ters and the flattering attentions heaped upon the little "barbarian" 
will remind college women of similar occasions when "a choice 
of Greeks" was deemed the most important step of any fresli- 
man. This comedy is especially appropriate for the Panhellenic 
Associations which are being- so rapidly organized and will pro- 
mote an enthusiasm of friendliness and good fellowship among- the 
rivals of other days. 

The Lau^hin^ Cure 

By EDITH F. A. U. PAINTON 

Price, 25 Cents 

Comedy in 2 acts; 4 males, 5 females. Tim.e, 1% hours. Scene: 
1 interior. A woman without a sense of humor is the cause of 
much distress to herself and those about her. Her mental atti- 
tude leads to chronic dispepsia and her old physician places the 
case wath his nephew, a young M. D. just out of college, who 
prescribes one laugh regularly, every thirty minutes. Full of fun 
and action. An old lady of the Auntie Doleful type, in direct 
contrast to the cheerful spirit of the play, supplies excellent 
comedy. The young- doctor is brimful of philosophy — "Laughing 
is the best beauty dope on the market. It will relieve every 
wrinkle from both brow and brain." 

SYNOPSIS 

Act I. — The Hansons are discouraged over the condition of 
Mrs. Hanson's health. Mrs. Perry comes to cheer Mrs. Hanson and 
prepare her for the end. The doctor prescribes his novel remedy. 
*'But, doctor, I never laugh." The first dose is administered, 
and the doctor performs for the amusement of his patient with 
discouraging effect. "You're funny, aren't you?" Jimmie and 
Gay join in the "best joke of the season." 

Act II. — Mr. Hanson is shocked by his wife's peculiar con- 
duct. "Is she intoxicated or delirious?" Mrs. Perry is worried over 
the matter. The doctor explains the situation. The gentle art 
of laughing. The talk of the towm. Treatment concludes in 
triumph. Mrs. Perry is "converted" to the laughing gospel, even 
against her will. "He who laughs most, laughs best." 

T. S. DENISON & COMPANY, Publishers 

154 W. Randolph Street, CHICAGO 



The Call o£ Wohelo 

By LINDSEY BARBEE. 
Price^ 25 Cents 

A comedy drama in 3 acts; 10 females. Time, 1% hours. 
Scene: 1 exterior. Characters: Ellen Ferris, Guardian of the 
Camp. Mrs. Vale, Camp mother. Blue Bird (Owaissa — Blue Bird), 
her young daughter. Wah-wah-taysee (Firefly), an Indian girl. 
Sylvia (Wayaka— See Beauty), a Camp "Misfit." Amy (Kee-wee— 
Rainbow Maid), a Torch Bearer. Marian (Disyadi — Moon Maid), A 
Fire Maker. Emily (Minnehaha — Laughing Water), a Wood 
Gatherer. Constance (Gaoh — Spirit of the Wind), a Wood Gatherer. 
Dorothy (To-he -ha— Humming Bird), a Wood Gatherer. 

SYNOPSIS. 

Act I. — Blue Bird runs errands for the busy Camp Fire girls, 
among whom Sylvia alone is idle. Sylvia is declared a Camp 
"misfit," and Miss Ferris decides to make one last effort to interest 
her in Camp Fire life. A visitor. Miss Marshall, a noted Camp 
Fire worker, is promised and Amy tells a ghost story in which she 
herself is heroine. Wah-wah-taysee chants magic words and 
Sylvia promises to seek "the treasure." 

Act 11. — Under Wah-wah-taysee's tutelage, Sylvia becomes a 
very different girl, but the intimacy with the Indian girl brings 
criticism from her Camp Fire friends. The mention of Amy's ghost 
produces peals of laughter, for constant watching has failed to 
detect "The Lady in White." Miss Ferris announces that Miss 
Marshall will be present at the Council Fire. Amy persuades Marian 
and Sylvia to keep a last vigil for the ghost and they consent. 
(Constance's money disappears and suspicion turns to the Indian. 
Wah-wah-taysee sends a message. The ghost proves something cf 
a sensation. 

Act III. — The Council Fire. Miss Marshall and the Indian are 
discovered to be the same. Wah-wah-taysee tells her story and 
Sylvia is admitted to the rank of Wood Gatherer. 

The Whole Truth 

By LINDSEY BARBEE. 
Price, 15 Cents 

Comedy; 5 males, 4 females. Time, 40 minutes. At a dinner 
party on Midsummer Eve, a wish is made that each guest for the 
evening speaks nothing but the truth. Complexities arise, difficul- 
ties are straightened, the bogus English lord is unmasked and the 
mystery of the heiress is solved. Clever and humorous. 

Her First Scoop 

By LINDSEY BARBEE. 
Price, 15 Cents 

Comedy; 1 male, 2 females. Time, 45 minutes. A young news- 
paper woman, through nerve and clever strategy gains a coveted 
interview, thereby beating the rival papers with a story of special 
interest, which in a newspaper office is known as a "scoop." The 
parley of wit and the scintillating dialogue will charm and delight. 

T. S. DENISON & COMPANY, Publishers 

154 W. Randolph Street, CHICAGO 



DENISON'S ACTING PLAYS 

Price 15 Cents Each, Poetpaid, Unless Different Price Is Given 



M. 1-. 

Winning Widow, 2 acts, ly^ hrs. 

(25c) 2 4 

Women Who Did, 1 lir...(25c) 17 
Yankee Detective, 3 acts, 2 hrs. 8 3 

FARCES, COMEDIETAS, Etc. 

All on a Sunimcis Day, 40 min. 4 6 

April Fools, 30 min.'. 3 

Assessor, The, 10 min 3 2 

Baby Show at Pineville, 20 min, 
Billy's Chorus Girl, 25 min... 

Billy's Mishap, 20 min... 

Borrowed Luncheon, 20 min.. 
Borrowing Trouble, 20 min. . . . 

Case Against Casey, 40 min 

Country Justice, 15 min 8 

Cow that Kicked Chicago, 20 m. 3 

Divided Attentions, 35 min. 1 

Dude in a Cyclone, 20 min.... 4 

Family Strike, 20 min 3 

First-Class Hotel, 20 min 4 

For Love and Honor, 20 min.. 2 
Fudge and a Burglar, 15 min.. 

Fun in Photo Gallery, 30 min.. 6 

Great Medical Dispensary, 30 m. 6 
Great Pumpkin Case, 30 min.. 12 

Hans Von Smash, 30 min.... 4 _ 

I'm Not Mesilf at All, 25 min. 3 2 

Initiating a Granger, 25 min.. 8 

Irish Linen Peddler, 40 min... 3 

Is the Editor In? 20 min.., 4 

Kansas Immigrants, 20 min... 5 

Men Not Wanted, 30 min 

Mike Donovan's Courtship, 15 m. 1 

Mother Goose's Goslings,* 30 m. 7 
Mrs. Jenkins' Brilliant Idea, 35m. 

Mrs. Stubbins' Book. Agent, 30 m. 3 

My Wife's Relations, 1 hr. . . . 4 
Not a Man in the House, 40 m. 

Pair of Lunatics, 20 min 1 

Patsy O'Wang, 35 min 4 

Pat, the Apothecary, 35 min.. 6 

Persecuted Dutchman, 30 min. 6 

Regular Fix, 35 min 6 

Second Childhood, 15 min.... 2 

Shadows, 35 min 2 

Sing a Song of Seniors, 30 min. 

Taking Father's Place, 30 min. 5 

Taming a Tiger, 30 min 3 

That Rascal Pat, 30 min 3 

Those Red Fnvelopes, 25 min. 4 
Too Much of a Good Thing, 45 

min. . . , 3 

Turn Him Out, 35 min 3 

Two Aunts and a Photo, 20 m. 

Two Gentlemen in a Fix, 15 m. 2 
Two Ghosts in White, 20 min . . 

Two of a Kind, 40 min 2 

Uncle Dick's Mistake, 20 min. .. 3 

Wanted a Correspondent, 45 m. 4 



Wanted a Hero, 20 min 1 



M. F. 

W]idc Kiiough for Two, 45 min. 5 2 

\\'ror.g Baby, 25 min *. . . 8 

Yankee Peddler, 1 hr 7 3 

VAUDEVILLE SKETCHES. MON- 
OLOGUES, ETHIOPIAN PLAYS. 

Ax'in' Her Father, 25 min.... 2 3 
Booster Club of Blackville, 25 m.lO 
r.rcakfast Food for Two, 20 m. 1 1 

Cold Finish, 15 min 2 1 

Colored Honeymoon, 25 min... 2 2 
Coon Creek Courtship, 15 min. 1 1 
Coming Champion, 20 min.... 2 
Coontown Thirteen Club, 25 m.l4 

Counterfeit Bills, 20 min 1 1 

Darktown Fire Brigade, 25 min. 10 
Doings of a Dude, 20 min.... 2 1 

Dutch Cocktail, 20 min 2 

For Reform, 20 min 4 

Fresh Timothy Hay, 20 min.. 2 
Glickman, the Glazier, 25 min. 1 
Good Momin' Judge, 35 min.. 9 

Her Hero, 20 min 

Hey, Rube! 15 min 1 

Home Run, 15 min 1 

Jumbo Jum, 30 min.... 4 

Little Red School House, 20 m. 4 

Love and Lather, 35 min 3 

Marriage and After, 10 min.. 1 

MemDhis Mose, 25 min 5 

Mischievous Nigger, 25 min.. 4 

Mistaken Miss, 20 min 1 

Mr. and Mrs. Fido, 20 min 1 

Oh, Doctor! 30 min 6 

One Sweetheart for Two, 20 m. 
Oshkosh Next Week, 20 min . . 4 

Oyster Stew, 10 min 2 

Pete Yansen's Gurl's Moder, 10m. 1 

Pickles for Two, 15 min 2 

Pooh Bah of Peacetown, 35 min. 2 
Prof. Black's Funnygraph, 15 m. 6 

Sham Doctor, 10 min 4 

Si and I, 15 min 

Special Sale, 15 min 2 

Stage Struck Darky, 10 min.. 2 
Sunny Son of Italy, 15 min.. 1 

Time Table, 20 min 1 

Tramp and the Actress, 20 min. 1 
Troubled by Ghosts, 10 min... 4 
Troubles of Rozinski, 15 min.. 1 
Two Jay Detectives, 15 min.. 3 
I^mbrella Mender, 15 min.... 2 

Uncle Jeff, 25 min 5 

What Happened to Hannah, 15m. 1 



A erreat number of 

Standard and Amateur Plays 

not found here are listed in 

Denlson's Catalogue 



1 

1 

9 
1 1 

1 

3 



T.S.DENISON&COMPANY,Pubi|shers,154W. Randolph St., Chicago 



POPULAR ENTERTAINI 

Price, Illustrated Paper Covers 







IN this Series 
are found 
books touching 
every feature 
in the enter- 
tainment field. 
Finely made, 
good paper, 
clear print and 
each book has 
an attractive 
individual cov- 
er design. 



A Partial List 

DIALOGUES 

All Sorts of Dialogues. 

Selected, fine for older pupils. 
Catchy Comic Dialogues. 

Very clever; for young people. 
Children's Comic Dialogues. 

From six to eleven years of age. 
Country School Dialogues. 

Brand new, original 
Dialogues for District Schools. 

For country schools. 
Dialogues from Dickens. 

Thirteen selections. 
The Friday Afternoon Dialogues. 

Over 50,000 copies sold. 
From Tots to Teens. 

Dialogues and recitations. 
Humorous Homespun Dialogi!C3. 

For older dnes. 
Little People's Plays. 

From 7 to 13 years of age. 
Liveiy Dialogues. 

For all ages; mostly humorous. 
Merry Little Dialogues. 

Thirty-eight original selections. 
When the Lessons are Over. 

Dialogues, drills, plays. 
Wide Awake Dialogues. 

Original successful. 

SPEAKERS, MONOLOGUES 

Choice Pieces for Little People. 

A child's speaker. 
The Comic Entertainer. 

Recitations, monologues, dialogues. 
Dialect Readings. 

Irish, Dutch, Negro, Scotch, etc. 
The Favorite Speaker. 

Choice prose and poetry. 
The Friday Afternoon Speaker. 

For pupils of all ages. 
Humorous Monologues. 

Particularly for ladies. 
Monologues for Young Folks. 

Clever, humorous, original. 




ryionoio 

D raiTiatrc~aTra~iruinorDxr5. — 

Scrap- Book Recitations. 

Choice collections, pathetic, hu- 
morous, descriptive, prose, 
poetry. 15 Nos., per No. 25c 

DRILLS 

The Best Drill Book. 

Very popular drills and marches. 
The Favorite Book of Drills. 

Drills that sparkle with originality. 
Little Plays With Drills. 

For children from 6 -to 11 years. 
The Surprise Drill Book. 

Fresh, novel, drills and marches. 

SPECIALTIES 

The Boys' L ntertainer. 

Monologues, dialogues, drills. 
Children's Party Book. 

Invitations, decorations, games. 
The Days v e Celebrate. 

Entertainments for all the holidays. 
Good Things for Christmas. 

Recitations, dialogues, drills. 
Good Things for Sunday Schools. 

Dialogues, exerc. es, recitations. 
Good Things for Thanksgiving. 

A gem of a book. 
Good Things ;for Washington 

and LincoJh Birthdays. 
Little Folks' Budget. 

Easy pieces to speak, songs. 
One Hundred Entertainments. 

New parlor diversions, socials. 
Patriotic Celebrations. 

Great variety of material. 
Pictured Readings and Tableaux, 

Entirely c riginal features. 
Pranks and Pastimes. 

Parlor games for children. 
Private Theatricals. 

How to put on plays. 
Chadow Pictures, Pantomimes, 

Charades, and how to prepare. 
Tableaux and Scenic Readings. 

New and novel; for all ages. 
Twinkling Fingers and Sway- 
ing Figures. For little tots. 
Yuletide Entertainments. 

A choice Christmas collection. 

MINSTRELS, JOKES 

Black American Joker. 

]\Iin?trels' and end men's gags. 
A Bundle cf Burnt Cork Comedy. 

Monologues, stump speeches, etc, 
Laughland, via the Ha-Ha Route. 

A merry trip for fun tourists. 
Negro Minstrels. 

All about the business. 
The New Joliy Jester. 

Funry stories, jolc^o, gags» etc. 

Large Illustrated Catalogue Free 



T.S.DENISON & COIViPANY, Publi$hersJ54 W. Randolph St. , Chicago 



